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Modes For Guitar
Modes in essence are scales. The seven modes that are derived from the major scale are:
Ionian
Dorian
Phrygian
Lydian
Mixolydian
Aeolian
Locrian
If we use the key of C we get these modes:
|
Mode Name |
Notes |
Description |
|
Ionian |
CDEFGABC |
Same pattern as the major scale |
|
Dorian |
DEFGABC |
Same pattern as the natural minor scale but with raised 6th note |
|
Phrygian |
EFGABC |
Traditional flamenco scale |
|
Lydian |
FGABCDEF |
Same pattern as the major scale but with a raised 4th note |
|
Mixolydian |
GABCDEFG |
Same pattern as the major scale but with lowered 7th note |
|
Aeolian |
ABCDEFGA |
Same pattern as the natural minor scale |
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Locrian |
BCDEFGAB |
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Keep in mind, that just because we used the key of C to derive these modes, does not mean that we are still in the key of C. In other words, if we play notes from the C major scale but make D our tonal centre, we get a very different experience. It’s very close to a natural minor scale. We could use this mode against a G minor 7 chord.
Using a major scale to determine the notes of a mode is a handy way to figure out the notes. We could also just use the description above. It’s probably easier to just understand that a Lydian mode is like a major scale with a raised 4th. Most of us can already play major scales, so with a little tweak we can easily be playing a lydian or mixolydian mode.